Barakas:Kalari Pattu.jpg
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Ringkasan
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English: Kalari Pattu, also known as Kalaripayattu, is one of the oldest martial arts in the world, originating in Kerala, India. Its history dates back thousands of years, with roots in the ancient Indian texts such as the Dhanurveda (science of warfare) and the Vedas. The term "Kalari" refers to the training ground or battlefield, while "Pattu" translates to technique or practice.
Historically, Kalari Pattu was not only a means of combat but also a way of life for warriors in Kerala. It was practiced by various communities, including the Nairs, Thiyyas, and Ezhavas, and was an integral part of their cultural and social fabric. Training in Kalari Pattu involved rigorous physical conditioning, including exercises to enhance flexibility, strength, and agility. The art form encompasses a wide range of techniques, including strikes, kicks, grappling, weaponry, and healing methods. These techniques are classified into different stages of training, with students progressing from basic exercises to advanced combat maneuvers. Kalari practitioners are trained to use their entire body as a weapon, mastering both armed and unarmed combat. Beyond its martial aspects, Kalari Pattu also incorporates elements of spirituality and holistic health. Traditional Kalari schools often include teachings on Ayurveda (traditional Indian medicine), yoga, and meditation, emphasizing the importance of mental discipline and inner balance alongside physical prowess. Over time, Kalari Pattu has evolved from a battlefield skill to a performing art and a means of physical fitness. It has gained international recognition for its effectiveness as a self-defense system and its contribution to the development of other martial arts around the world. Today, Kalari Pattu continues to be practiced in Kerala and has spread to other parts of India and the world. It is preserved through dedicated Kalari schools (known as Kalari koodams) where experienced masters pass on their knowledge to the next generation, ensuring that this ancient martial art form remains alive and vibrant in contemporary times.
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Tanggal | |||
Asal-mula | Gawian saurang | ||
Paulah | The pixelwriter2309 |
Lisénsi
- Pian dibulihakan:
- gasan babagi – gasan manyalin, mauarakan wan mamindahakan karya ngini
- gasan manggubah – gasan mangadaptasi karya ngini
- Bapandal katantuan nangini:
- atribusi – Pian musti mancantumakan pangakuan nang rasuk, mambariakan tautan ka lisénsi, wan mamadahi amun ada paubahan. Pian kawa manggawinya sakahandak Pian, tagal kada maiihakan kalu pambari lisénsi mandukung Pian atawa pamakaian Pian.
- BabagiSarupa – Amun Pian manggubah, maubah, atawa maulah turunan matan matéri ngini, Pian harus manyabarluasakan sumbangan Pian di bawah lisénsi nang sama lawan matéri asli.
- Pian dibulihakan:
- gasan babagi – gasan manyalin, mauarakan wan mamindahakan karya ngini
- gasan manggubah – gasan mangadaptasi karya ngini
- Bapandal katantuan nangini:
- atribusi – Pian musti mancantumakan pangakuan nang rasuk, mambariakan tautan ka lisénsi, wan mamadahi amun ada paubahan. Pian kawa manggawinya sakahandak Pian, tagal kada maiihakan kalu pambari lisénsi mandukung Pian atawa pamakaian Pian.
- BabagiSarupa – Amun Pian manggubah, maubah, atawa maulah turunan matan matéri ngini, Pian harus manyabarluasakan sumbangan Pian di bawah lisénsi nang sama lawan matéri asli.
Penilaian
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Items portrayed in this file
menggambarkan Indonesia
pencipta Indonesia
some value
status hak cipta Indonesia
berhak cipta Indonesia
lisensi Indonesia
waktu pajanan Indonesia
0,002 detik
nilai-f Indonesia
9
jarak fokus Indonesia
42,1 milimeter
kecepatan ISO Indonesia
400
tipe media Indonesia
image/jpeg
sumber berkas Indonesia
karya sendiri dari pengunggah Indonesia
asesmen kualitas Commons Indonesia
gambar berkualitas Wikimedia Commons Indonesia
ukuran data Indonesia
2.398.076 Bita
tinggi Indonesia
3.863 piksel
lebar Indonesia
5.795 piksel
checksum Inggris
a88904e833bfe62e2019c99b7174c3dc6f09c9ce
ditangkap dengan Indonesia
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Barakas ngini baisi habar tambahan nang pinanya ditambahakan ulih kodakan digital atawa pamindai nang dipakai gasan maulah atawa mandigitalisasi barakas. Amun barakas ngini sudah taubah, rincian nang ada bisa kada samunyaan sasuai lawan habar nang ada matan gambar nang hudah diubah ngini.
Pabrikan kudakan | SONY |
---|---|
Mudil kudakan | ILCE-7M4 |
Pa-ulah | anmol |
Wayah paparan | 1/500 dat (0,002) |
Rikinan F | f/9 |
Dabit kahancapan ISO | 400 |
Tanggal wan wayah paulahan data | 21 Januari 2024 17.35 |
Panjang linsa pukal | 42,1 mm |
Parangkat lunak | Adobe Imagecore (Linux) |
Tanggal wan wayah paubahan barakas | 20 Marit 2024 08.37 |
Parugram Paparan | Manual |
Vérsi Exif | 2.32 |
Tanggal wan wayah digitalisasi | 21 Januari 2024 17.35 |
Kahancapan rana APEX | 8,965784 |
Singkaian APEX | 6,33985 |
Kacarahan APEX | 8,61875 |
Bias paparan APEX | 0 |
Singkaian maksimal tanah | 2,96875 APEX (f/2,8) |
Muda panakaran | Pula |
Asal mula sinar | Kada dikatahui |
Kilat | Kilat kada banyala, lampu kilat ditikin |
DateTimeOriginal sub-datik | 097 |
DateTimeDigitized sub-datik | 097 |
Kamar kalir | Kada-dikalibrasi |
Risulusi bidang pukal X | 1.966,8377380371 |
Risulusi bidang pukal Y | 1.966,8377380371 |
Unit risulusi bidang pukal | 3 |
Asal-mula barakas | Kudakan hinip digital |
Macam pamandangan | Sabuah gambar poto langsung |
Parusis ulahan gambar | Parusis nurmal |
Mode paparan | Paparan manual |
Kasaimbangan putih | Kasaimbangan putih utumatis |
Rasiu pangganalan digital | 1 |
Panjang pukal dalam pilem 35 mm | 42 mm |
Macam panangkapan pamandangan | Standar |
Kuntras | Nurmal |
Saturasi | Nurmal |
Kalandapan | Nurmal |
Linsa dipuruk | 24-70mm F2.8 DG DN | Art 019 |
Tanggal mitadata pauncitnya diubah | 20 Marit 2024 08.37 |
ID unik dukumin asli | 227D87A34CCEBC261ADB87663A32BE2A |
Parsi IIM | 4 |