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A Caucasian Central Asian monk, possibly an Indo-European Sogdian or Tocharian, teaching an East Asian monk, perhaps a Turkic Uyghur or Chinese, on a 9th-century AD fresco from the Bezeklik Thousand Buddha Caves near Turfan, Xinjiang, China. A detail from Praņidhi scene no. 5 in Temple no. 9. The book that this painting is reproduced in has full descriptions of these two figures. Relevant details, along with the German descriptions, are found below.

The figure on the right is a young Buddhist monk painted in a stereotypical East Asian style. He stands with downcast eyes directed in reverence as he hears the teachings of the figure on the left. The figure on the left is painted in a style that is not East Asian in character. The two circles on either side of his chin are remarkably unusual (piercings?). He features a strongly-set nose and clear blue eyes. His skin color is darker. His hair and beard color is reddish brown with brown shades. He stands looking at the younger monk, raising his hand in a teaching gesture as he speaks.

Figure on Right: Über den Schirmen erheben sich die Gestalten zweier Mönche. Der rechts stehende ist ein Jüngling mit schablonenhaft gemaltem Gesicht ostasiatischen Typs; er trägt mehrere verschiedenartig gefärbte Unterkleider und daruber einen grünen, rot gestreiften Flickenrock. Er steht mit niedergeschlagenen Augen nach links gewendet in anbetender Stellung da und scheint andächtig den erklärenden Worten zu lauschen, die sein Begleiter an ihn richtet.

Figure on Left: Dieser, ein alterer Mann im gelb und braunen Flickenrock, besitzt wiederum einen der auffallenden, nicht schablonenhalf gemalten Köpfe, die einen nichtostasiatischen Typus tragen. Er hat rotes Haar und einen roten Bart, dessen Stoppeln in einer sonderbar stilisierten Malweise wiedergegeben werden (man beachte auch die auffälligen nackten Stellen, die rechts und links von der Mitte des Kinnes erscheinen!). Seine Nase ist stark und hervorspringend; die geradestehenden Augen von klarer, blauer Farbe; die Hautfarbe ist rötlichbraun mit braunen Schattierungen. Er steht, den Blick auf seinen jüngeren Begleiter gewendet, mit erhobener Hand lehrend oder erklärend da.

In "Tafel 19" of his Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan] (Berlin, 1913), Albert von le Coq identified the figure on the right as a "Tocharer" (i.e. Tocharian) and the figure on the left as "Ostasiate" (i.e. East Asian). In other murals of the Bezeklik Budda Caves, however, foreign-looking Caucasian men have been identified as ethnic Sogdians (an Eastern Iranian people). For instance, Scene No. 6 in Temple 9, in the same temple as the aforesaid mural, modern scholars have identified the kneeling men draped in silk robes as Sogdians (see Gasparini, Mariachiara. "A Mathematic Expression of Art: Sino-Iranian and Uighur Textile Interactions and the Turfan Textile Collection in Berlin," in Rudolf G. Wagner and Monica Juneja (eds), Transcultural Studies, Ruprecht-Karls Universität Heidelberg, No 1 (2014), pp 134-163. ISSN: 2191-6411. See also endnote #32 for further information on source material.)
Tanggal 8 century
date QS:P,+750-00-00T00:00:00Z/7
Asal-mula Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan, Berlin, 1913. A catalogue of the findings of the Second German Turfan Expedition (1904–1905) led by Albert von Le Coq, containing colour reproductions of the murals, which were destroyed in WW2. (National Institute of Informatics – Digital Silk Road Project Digital Archive of Toyo Bunko Rare Books)
Paulah of the paintings - Unknown. Of the book, Albert von Le Coq.
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Ini adalah suatu perbanyakan fotografis dari sebuah karya seni dua dimensi. Karya seni tersebut berada pada domain publik karena alasan berikut:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


Karya ini berada dalam domain publik di Amerika Serikat karena karya ini dipublikasikan (atau didaftarkan di U.S. Copyright Office) sebelum 1 Januari 1929.

Posisi resmi Wikimedia Foundation adalah bahwa "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". Untuk detilnya, lihat Commons:When to use the PD-Art tag.
Oleh karena itu, perbanyakan fotografis ini juga dianggap berada pada domain publik. Mohon diperhatikan bahwa hukum lokal mungkin saja melarang atau membatasi penggunaan kembali berkas ini di wilayah hukum anda. Lihat Commons:Reuse of PD-Art photographs.

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Monks from Central Asia and China wearing traditional kāṣāya. Bezeklik Caves, eastern Tarim Basin, 9th-10th century.

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menggambarkan Indonesia

tipe media Indonesia

image/jpeg

checksum Inggris

aaf4cdb8e0a943c0225b0399ded696d3f998ed4c

metode penentuan Indonesia: SHA-1 Indonesia

ukuran data Indonesia

177.252 Bita

tinggi Indonesia

591 piksel

lebar Indonesia

470 piksel

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wayahini27 Marit 2005 20.25Pratinjau gasan bantuk par 27 Marit 2005 20.25470 × 591 (173 KB)Beta m common9th century fresco from Bezeklilk, Tarim Basin. {{PD-art}}

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